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Lonesome, On'ry and Mean [Bonus Tracks]
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Album: Lonesome, On'ry and Mean [Bonus Tracks]
# Song Title   Time
1)    Lonesome, On'ry and Mean
2)    Freedom to Stay
3)    Lay It Down
4)    Gone to Denver
5)    Good Time Charlie's Got the Blues
6)    You Can Have Her
7)    Pretend I Never Happened
8)    San Francisco Mabel Joy
9)    Sandy Sends Her Best
10)    Me and Bobby McGee
11)    Laid Back Country Picker - (previously unreleased)
12)    Last One to Leave Seattle, The - (previously unreleased)
13)    Big, Big Love - (previously unreleased)
 

Album: Lonesome, On'ry and Mean [Bonus Tracks]
# Song Title   Time
1)    Lonesome, On'ry and Mean
2)    Freedom to Stay
3)    Lay It Down
4)    Gone to Denver
5)    Good Time Charlie's Got the Blues
6)    You Can Have Her
7)    Pretend I Never Happened
8)    San Francisco Mabel Joy
9)    Sandy Sends Her Best
10)    Me and Bobby McGee
11)    Laid Back Country Picker - (previously unreleased)
12)    Last One to Leave Seattle, The - (previously unreleased)
13)    Big, Big Love - (previously unreleased)
 
Product Description
Product Details

Tracks

1. Lonsome

2. On'ry And Mean

3. Freedom To Stay

4. Lay It Down

5. Gone To Denver

6. Good Time Charlie's Got The Blues

7. You Can Have Her

8. Pretend I Never Happened

9. San Francisco Mable Joy

10. Sandy Sends Her Best

11. Me And Bobby Mcgee

12. Laid Back Country Picker

13. The Last One To Leave Seattle

14. Big,Big Love

Performer Notes
  • Personnel includes: Waylon Jennings (vocals, guitar); Chip Young, Billy Ray Reynolds, Larry Whitmore (guitar); Ralph Mooney (steel guitar); Don Brooks (harmonica); Henry Strzelecki (piano, bass); Richie Albright (drums); E. Duane West, Ginger Holladay (background vocals).
  • Producers: Waylon Jennings, Ronny Light, Danny Davis.
  • Originally released as RCA Victor (4854). Includes liner notes by Rich Keinzle, Chet Flippo.
  • Personnel: Waylon Jennings (vocals, guitar); Charlie McCoy (guitar, harmonica); Chip Young, Larry Whitmore, John "Bucky" Wilkin, Randy Scruggs, Billy Ray Reynolds (guitar); Billy Sanford (electric guitar, organ); Dave Kirby, Fred Carter, Jr., Dale Sellers (electric guitar); Pete Drake, Ralph Mooney (steel guitar); Sheldon Kurland, Lennie Haight, George Binkley III, Brenton Banks (violin); Marvin Chantry, Gary VanOsdale (viola); David Vanderkooi, Byron Bach (cello); Glen Spreen (strings); Don Brooks (harmonica); Don Sheffield, Don Tidwell (trumpet); David Briggs , Henry Strzelecki, Hargus "Pig" Robbins (piano); Bobby Dyson (electric bass); Ralph Gallant, William Paul Ackerman, Ritchie Albright, Jerry Carrigan (drums); Mary Holladay, Temple Riser, Laverna Moore, Kay Klinger, Gary S. Paxton, Ginger Holladay, Ernest West, Lea Jane Berinati (background vocals).
  • Liner Note Authors: Chet Flippo; Rich Kienzle.
  • Recording information: 04/22/1970-12/18/1972.
  • Lonesome, On'ry and Mean is the quintessential Waylon Jennings outlaw record. Waylon produced the set -- the first unfettered by the bonds of RCA -- with his own band, and the results are nothing less than electrifying. Steve Young, the perennial country and folk music outsider, may have penned the title cut, but Waylon's delivery as an anthem bears in it all of his years of frustration at not being able to make the music he wanted to. Fury is a better word for what is heard in the grain of the song's lyrics. Young's own version is devastating, but this one is transcendent. (And why is it that Travis Tritt was picked to sing this at Waylon's memorial instead of Young, who was also present? Talk about misguided justice.) But the boundaries between rock & roll and country come down once again on this album in Kris Kristofferson's "Me & Bobby McGee," as folk and post-psychedelia meet Texas in Mickey Newbury's "San Francisco Mabel Joy" and the broken, road-weary pop honky tonk balladry of Danny O'Keefe's "Good Time Charlie's Got the Blues." Add to this Johnny Cash's "Gone to Denver" and Willie Nelson's "Pretend I Never Happened," and you have an outsider's dream. That the rest of the recording is just as consistent, just as seamless in its execution, production, and delivery, makes Lonesome, On'ry and Mean the first seriously pitched battle in the 1970s country music wars. And this one went to Jennings and his fans, hands down. ~ Thom Jurek
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