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Memory Muscle
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Album: Memory Muscle
# Song Title   Time
1)    How Maggie Got Her Bounce Back
2)    I'm Sick
3)    So It Goes
4)    Buckle Up Baby Doll
5)    Alcoholiday
6)    Digging a Hole
7)    Lemon & Lime
8)    Unwanted Friend
9)    Bienvenido
10)    Lay Low
11)    My Autumn's Done Come
 

Album: Memory Muscle
# Song Title   Time
1)    How Maggie Got Her Bounce Back
2)    I'm Sick
3)    So It Goes
4)    Buckle Up Baby Doll
5)    Alcoholiday
6)    Digging a Hole
7)    Lemon & Lime
8)    Unwanted Friend
9)    Bienvenido
10)    Lay Low
11)    My Autumn's Done Come
 
Product Description
Product Details
Performer Notes
  • Personnel: Mark Morriss (vocals, guitars, omnichord).
  • Audio Mixer: Gordon Mills.
  • Arranger: David Arnold.
  • After dipping his toes into solo waters with 2006's The Fi-Lo Beddow EP, Bluetones frontman Mark Morriss finally takes the plunge with his debut full-length album, Memory Muscle. While his band's recent output remains firmly entrenched in the jangly guitar pop sound of its mid-'90s heyday, the softly spoken vocalist has used his temporary freedom to produce a record that has more in common with the West Coast '70s country-rock of Love and Neil Young than the laddish era of Brit-pop. Produced by longtime collaborator Gordon Mills, its 11 tracks (five of which are re-recordings from his previous EP) still contain the same sweet whimsical melodies and gentle Home Counties-accented vocals he's renowned for, but on this occasion, they're backed by layers of lush strings (arranged by James Bond composer David Arnold) Nashville-tinged acoustics, and shuffling folk rhythms such as on the Kurt Vonnegut-inspired "So It Goes," the harmonica-driven "Buckle Up Baby Doll," and the lilting melodies of "Lay Low." It's a subtle change in direction that suits Morriss' dark dry wit and increasingly world-weary vocals down to the ground, particularly on the brass-fused spaghetti Western vibes of "I'm Sick," the Ian Dury-style campfire singalong of opener "How Maggie Got Her Bounce Back," and the psychedelic leanings of "Digging a Hole." But as accomplished as his self-penned compositions are, it's the two cover versions that best showcase Morriss' new sound, as he turns Teenage Fanclub's shoegazing anthem "Alcoholiday" into a gorgeous Mellotron-led lullaby, and adds mariachi guitars, lo-fi distortion, and a dreamy hymnal quality to a spellbinding Mercury Rev-esque rendition of Lee Hazlewood's "My Autumn's Done Come." The sparkling acoustic pop of "Lemon & Lime" and melancholic balladry of "Unwanted Friend" shows Morriss still remains a Bluetone at heart, but Memory Muscle's simple charm and well-crafted songs show he's more than capable of going it alone full-time. ~ Jon O'Brien
Professional Reviews
Mojo (Publisher) (p.105) - 4 stars out of 5 -- "Mark Morriss sings with effortlessly melodic ease....[The tracks] swing with lyrical flow and a sense of pathos."

Record Collector (magazine) (p.83) - 4 stars out of 5 -- "With dark, world-weary lyrics delivered through a series of gentle, uplifitng melodies that recall classic 60s LPs from West Coast America..."
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