NATURAL BRIDGE, THE [Vinyl]

Rating

Album: NATURAL BRIDGE, THE [Vinyl]
#	Song Title		Time
1)	How to Rent a Room	More Info...	0:03
2)	Pet Politics	More Info...	0:04
3)	Black and Brown Blues	More Info...	0:04
4)	Ballad of Reverend War Character	More Info...	0:03
5)	The Right to Remain Silent	More Info...	0:02
6)	Dallas	More Info...	0:04
7)	Inside the Golden Days of Missing You	More Info...	0:02
8)	Albemarie Station	More Info...	0:03
9)	The Frontier Index	More Info...	0:03
10)	Pretty Eyes	More Info...	0:04

Performer Notes

Silver Jews: David Berman, Matt Hunter, Rian Murphy, Peyton Pinkerton, Michael Deming.
The Silver Jews' 1996 recording, The Natural Bridge continues the band's shift from their early, sprawling racket into a smooth foil for David Berman's laid-back vocals and evocative lyrics. When sessions with original Jews Stephen Malkmus and Bob Nastanovich and with members of the Scud Mountain Boys didn't work out the way Berman hoped, they were scrapped; the final version of The Natural Bridge was recorded in the summer of 1996 at Hartford, CT's Studio .45, which was originally a gun factory.
New Radiant Storm King's Peyton Pinkerton and Matt Hunter, Drag City producer/sessionman Rian Murphy, and keyboardist Michael Deming joined Berman in this version of the Jews' lineup, resulting in a more spacious sound than on any of the group's previous recordings. The Natural Bridge is also darker than the band's previous work, with lyrics like "I think we may be losing now/Please guard my bed" from "Pet Politics" and "Burnout tramp/Waits by the ramp/For one more car" from "Ballad of Reverend War Character." However, this darkness blends and contrasts with the wry, wistful "Dallas" and "Pretty Eyes." "The Frontier Index" combines jokes and a beautiful, descending guitar line for a really nice mix of ideas and emotion. Though The Natural Bridge lacks some of the immediacy of the Jews' earlier work, and Berman's voice slips into a monotone occasionally, this album offers some of the Silver Jews' finest moments. ~ Heather Phares

Professional Reviews

Spin (12/96, p.146) - 6 (out of 10) - "Charlottesville, Virginia poet David Berman specializes in folksy, hungover country-rock: twinkling jangle pops through the melancholy, only to be beaten down like the little plastic rodents in a carnival `Whack-a-Mole' game..."

Alternative Press (2/97, p.69) - 4 (out of 5) - "...just sing along to feathery, non-wilting folk-drawlers of high order whose simple rants are fun along the lines of Tom Petty, Gordon Lightfoot or, um, John Coltrane's ballads..."

Option (1-2/97, pp.104-105) - "...Berman's deep voice is mixed way up front, like he's leaning out from the speakers to talk to you, and the musicians...are flawless and enthusiastic. His poetic lyrics are some of his best and funniest ever....pensive, religious, history-laden songs..."

Melody Maker (12/21-28/96, pp.66-67) - Ranked #18 on Melody Maker's list of 1996's `Albums Of The Year.'