Name: Proof [Original Motion Picture Soundtrack]
Brand: VarŠse Sarabande (USA)
SKU: 165026
Price: 4.98 USD
Availability: InStock

Proof [Original Motion Picture Soundtrack]

Rating

Album: Proof [Original Motion Picture Soundtrack]
#	Song Title	Time
1)	Proof, film score: Proof
2)	Proof, film score: Hope
3)	Proof, film score: Catherine
4)	Proof, film score: The Kiss
5)	Proof, film score: Writing the Proof
6)	Proof, film score: The Chapel
7)	Proof, film score: Lost Days
8)	Proof, film score: Testing the Proof
9)	Proof, film score: You Imagined You Wrote It
10)	Proof, film score: The Airport
11)	Proof, film score: Line by Line

Album: Proof [Original Motion Picture Soundtrack]
#	Song Title	Time
1)	Proof, film score: Proof
2)	Proof, film score: Hope
3)	Proof, film score: Catherine
4)	Proof, film score: The Kiss
5)	Proof, film score: Writing the Proof
6)	Proof, film score: The Chapel
7)	Proof, film score: Lost Days
8)	Proof, film score: Testing the Proof
9)	Proof, film score: You Imagined You Wrote It
10)	Proof, film score: The Airport
11)	Proof, film score: Line by Line

Performer Notes

Composer: Stephen Warbeck.
Personnel: Stephen Warbeck (piano); Stephen Warbeck; Marcia Crayford (piano); Tim Harries (electric bass, bass guitar); Andy Park (electric bass); Andrew Pask (bass guitar); John Parricelli (electric guitar); Steve Lodder, Eleanor Alberga (piano); Stephen Henderson , Frank Ricotti, Gary Kettel (marimba).
Audio Mixer: Chris Dibble.
Recording information: Abbey Road Studios, Air Studios, Lansdowne Studios and.
The winning combination of John Madden, composer Stephen Warbeck, and Gwyneth Paltrow -- they struck Oscar gold in 1998 with Shakespeare in Love -- reunite for the psychological drama Proof. Warbeck, an ace comedy composer, has constructed a score that's as warm as it is wistful and as lush as it is brooding. The main cue is a taut midtempo exercise in Philip Glass minimalism that utilizes a repetitive Bill Frisell-style guitar line wrapped in layers of dramatic strings. It's far more refreshing than it sounds in print, and Warbeck never lets things go on too long. Proof may be a slow burn, but much like his other work with Madden (Captain Corelli's Mandolin, Shakespeare in Love, and Mrs. Brown), it leaves a scar. ~ James Christopher Monger