Personnel: Arild Andersen (acoustic & electric basses); Nana Vasconcelos (vocals, percussion); Kirsten Braten Berg (vocals); Juhani Aaltonen (tenor saxophone, flute); Tore Brunborg, Bendik Hofseth (tenor saxophone); Nils Petter Molvaer (trumpet); Kenny Wheeler (flugelhorn); Knut Riisnaes (flute); Jon Balke (piano, electric piano); Lars Jansson (piano, synthesizer); John Taylor, Vassilis Tsabropoulos, Steve Dobrogosz (piano); Kenneth Knudsen, Bugge Wesseltoft (keyboards); Ralph Towner, Bill Frisell, Frope Alnaes (guitar); Jon Christensen, Paolo Vinaccia, Pal Thowsen, Alphonse Mouzon, John Marshall, Paul Motian (drums).
Cikada String Quartet: Odd Hannisdal, Henrik Hannisdal (violin); Marek Konstantynowicz (viola); Morten Hannisdal (cello).
Recorded in Norway between 1975 and 1999. Includes liner notes by Arild Andersen. Includes liner notes by Arild Andersen.
Personnel: Arild Andersen (double bass, electric bass); Kirsten Braten Berg (vocals); Frode Aln?s, Ralph Towner, Bill Frisell (guitar); Henrik Hannisdal, Odd Hannisdal (violin); Marek Konstantynowicz (viola); Morten Hannisdal (cello); Juhani Aaltonen (flute, tenor saxophone); Knut Riisn?s (flute); Tore Brunborg (soprano saxophone, tenor saxophone); Bendik Hofseth (tenor saxophone); Nils Petter Molv?r (trumpet); Kenny Wheeler (flugelhorn); Jon Balke (piano, electric piano); Lars Jansson (piano, synthesizer); John Taylor , Vassilis Tsabropoulos, Steve Dobrogosz (piano); Kenneth Knudsen, Bugge Wesseltoft (keyboards); P?l Thowsen, John Marshall , Jon Christensen, Alphonse Mouzon, Paul Motian, Paolo Vinaccia (drums); Nan? Vasconcelos (percussion).
Liner Note Author: Arild Andersen.
Recording information: Molde Jazz Festival (02/1975-10/1999); Oslo, Norway (02/1975-10/1999).
Photographers: Hyou Vielz; Andr? Clemetsen; Tom Martinsen ; Michael Heeg.
Arranger: Arild Andersen.
Bassist Arild Andersen may not be one of ECM's best-known bandleaders (to Americans, that is), but that hasn't stopped him from amassing an impressive catalog as one of the label's senior statesmen. Andersen himself comments in the liner notes at how fortunate and surprised he was when looking back over his catalog and realizing how many younger players graced his sides. The evidence, however, is that Andersen is too humble: his guidance is like a beacon in bringing the best out of many who would become leaders in their own right. A fine example is on "Vanilje," which opens the album and comes from the Masqualero album. Here Andersen, Jon Balke, and drummer Jon Christensen host two stunning players on the front line, young saxophonist Tore Brunborg and a fresh-faced Nils Petter Molvaer on trumpet. The veteran trio led by Andersen's trademark melodic rhythmic attack brings the horn players to the fore and creates a wide space for them to explore and articulate harmonically. Elsewhere, as on "Svev," from his trio date with Ralph Towner and Nana Vasconcelos, Andersen appears not as an equal third but as the negotiator between rhythm and melody, the axis on which the two poles revolve. From the Molde Concert disc, on which the bassist is teamed with Bill Frisell, fusion drummer Alphonse Mouzon, and pianist John Taylor, Andersen plays his double bass as the true forceful foil for Frisell's angular urgency and Taylor's modal inquiry, but it is Andersen's solo where he offers his bop chops, which steal the tune. Featuring 13 tracks, there are more selections on this set than on most of the Rarum titles, and that's a good thing, as it showcases the wildly diverse settings -- all of them successful -- in which Andersen has placed himself in order to articulate an ambitious and varied vision. ~ Thom Jurek