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Revolutions
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Album: Revolutions: The Very Best Of Steve Winwood [UK/ROW Version]
# Song Title   Time
1)    Keep On Running 2010 Remaster More Info... 2:48
2)    Somebody Help Me 2010 Remaster More Info... 2:04
3)    Gimme Some Lovin' 2010 Remaster More Info... 2:57
4)    I'm A Man 2010 Remaster More Info... 2:57
5)    Forty Thousand Headmen 2010 Remaster More Info... 3:16
6)    Paper Sun 2010 Remaster More Info... 4:16
7)    No Face, No Name, No Number 2010 Remaster More Info... 3:33
8)    Dear Mr. Fantasy 2010 Remaster More Info... 5:39
9)    Can't Find My Way Home 2010 Remaster More Info... 3:18
10)    While You See A Chance 2010 Remaster More Info... 5:16
11)    Valerie 2010 Remaster More Info... 4:07
12)    Spanish Dancer 2010 Version More Info... 6:11
13)    Higher Love 2010 Remaster More Info... 5:48
14)    Back In The High Life Again 2010 Remaster More Info... 4:24
15)    Roll With It 2010 Remaster More Info... 5:18
16)    Dirty City 2010 Remaster More Info... 7:48
 
Product Details
Performer Notes
  • Not the first box set to distill Steve Winwood's far-reaching career into four discs, 2010's Revolutions: The Very Best of Steve Winwood does have a leg up on its 1995 predecessor, The Finer Things, by the virtue of covering the 15 years separating the two sets, plus adding a higher dosage of Blind Faith to the mix. Nevertheless, this 58-track box -- with its songs selected by Winwood himself -- shares a whopping 36 cuts with The Finer Things. It's such a strong overlap that it does suggest that there's truly a defined Winwood canon, and even though it doesn't contain the mega-hit "Roll with It," along with a handful of other notable tunes, Revolutions doesn't depart from that canon. Instead, it's a handsome, effective presentation of it, worthwhile for any serious fan who doesn't have an extensive Winwood collection. ~ Stephen Thomas Erlewine
Professional Reviews
Uncut (magazine) (p.122) - 3 stars out of 5 -- "REVOLUTIONS begins in mono, and in Midlands dancehalls, with sound of a 16-year-old Winwood singing in a voice close to Motown while creating ecstatic energy surges on a Hammond B-3."
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