Significantly more expansive that 2011's broken yet undeniably heartfelt Breakers, due in large part to the fact that it was birthed in a proper studio and not in singer/songwriter/pianist Christopher Barnes bedroom, In Roses, the second long-player from the Boston chamber pop trio Gem Club, blends the methodical, melancholic simplicity of the National and the slow ache of Tom Odell with the evocative orchestral Icelandic hymns of Sigur R¢s. This is laptop pop writ large, and Barnes' choked, Antony Hegarty-meets-Chris Martin delivery pairs well with Magik Magik Orchestra string arranger Minna Choi's tasteful orchestral emissions, with highlights arriving via the epic "First Weeks" -- a lush, two-chord meditation on loss that feels like it was built out of rescued incidental music from a Cameron Crowe film -- the spectral "Ideas for Strings," and the ephemeral closer "Polly." As a collection of unabashedly melodramatic, dear-diary poetic, and tastefully lush happy/sad dream pop anthems, In Roses delivers the goods with the sort of restrained panache that's sure to win over the NPR crowd. ~ James Christopher Monger
Professional Reviews
Paste (magazine) - "IN ROSES sounds warm, inviting, like a low-lit cabin with a big fire roaring."
Pitchfork (Website) - "The change of scenery and major upgrade in fidelity is immediately evident;ÿthis is a much warmer, richer album than its predecessor, and Barnes' compositions swell and take new shape..."
