Spin - "The objective of their fandom is youthful enthusiasm, addressing grown-up concerns with forever-young pop-rock stylings."

Billboard (p.33) - "Love's '60s pop obsessions, Blake's gift for harmonic invention, and McGinley's plain-spoken way with a lyric all come to the fore as each takes his turn at the mic..."

Mojo (Publisher) (p.95) - 4 stars out of 5 -- "[T]he band's famed harmony is achieved with three distinct, mutually supportive songwriters in constant rotation."

Mojo (Publisher) (p.52) - Ranked #37 in Mojo's "The 50 Best Albums Of 2010" -- "[G]orgeously classicist....Delightful."

Paste (magazine) - "Long-running Scots deliver more pop purity....The pop landscape is littered with folks who wish they could deliver one or two tracks as good as the dozen found here."

Pitchfork (Website) - "The lightly psychedelic 'Into the City' ebbs and flows through tides of phased guitar into an outro of soaring Beach Boys-worthy harmonies."

Clash (magazine) - "[I]t's the chiming guitars and angelic harmonies that truly revitalise the soul. 'Shock And Awe,' replete with soaring guitar break, is a highlight."

Uncut (magazine) (p.89) - 4 stars out of 5 -- "SHADOWS is full of drowsy sweetness and mellow doubt: the sound of a great group ageing gracefully."

Uncut (magazine) (p.36) - Ranked #23 in Uncut's "The 50 Best Albums of 2010" -- "[G]raceful melancholy prevailed..."