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Sketches of Spain
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Album: Sketches of Spain
# Song Title   Time
1)    Concierto de Aranjuez (Adagio)
2)    Will O' the Wisp
3)    Pan Piper, The
4)    Saeta [Album Version]
5)    Solea
6)    Song of Our Country
1)    Maids of Cadiz, The
2)    Concierto de Aranjuez (Adagio)
3)    Concierto de Aranjuez, Pt. 1 (Adagio) [Alternate Take] - (alternate take)
4)    Concierto de Aranjuez, Pt. 2 (Adagio) [Alternate Take] - (alternate take)
5)    Concierto de Aranjuez (Adagio) [Alternate Ending]
6)    Pan Piper [Take 1], The - (take)
7)    Song of Our Country [Take 9] - (take)
8)    Song of Our Country [Take 14] - (take)
9)    Saeta [Full Version of Master]
10)    Concierto de Aranjuez (Adagio) [Live] - (live)
11)    Teo
 

Album: Sketches of Spain
# Song Title   Time
1)    Concierto de Aranjuez (Adagio)
2)    Will O' the Wisp
3)    Pan Piper, The
4)    Saeta [Album Version]
5)    Solea
6)    Song of Our Country
1)    Maids of Cadiz, The
2)    Concierto de Aranjuez (Adagio)
3)    Concierto de Aranjuez, Pt. 1 (Adagio) [Alternate Take] - (alternate take)
4)    Concierto de Aranjuez, Pt. 2 (Adagio) [Alternate Take] - (alternate take)
5)    Concierto de Aranjuez (Adagio) [Alternate Ending]
6)    Pan Piper [Take 1], The - (take)
7)    Song of Our Country [Take 9] - (take)
8)    Song of Our Country [Take 14] - (take)
9)    Saeta [Full Version of Master]
10)    Concierto de Aranjuez (Adagio) [Live] - (live)
11)    Teo
 
Product Description
Product Details
Performer Notes
  • Liner Note Authors: Gunther Schuller ; Richard Seidel.
  • Photographer: Verne Smith.
  • Arranger: Gil Evans.
  • The crown jewel of the epic Evans/Davis triptych that began with MILES AHEAD and PORGY AND BESS, SKETCHES OF SPAIN is as emotionally compelling as any performance in the trumpeter's remarkable body of works. Combining as it does the emotional gravity of two cultures--the deep song of flamenco music and the rich lament of the blues--SKETCHES OF SPAIN is a musical hybrid of enormous power and beauty. Gil Evans' immense canvas of orchestral colors inspires some of Davis' most deeply felt solo flights. He paints vast vistas of velvety, shimmering night sounds, and through it all runs the mountainous backbone of Spain's native rhythms and chants.
  • The centerpiece of SKETCHES OF SPAIN is the Evans/Davis treatment of the second movement of Rodrigo's "Concierto De Aranjuez." Evans' charts engage Davis in a shifting, insistent dialogue, italicizing the trumpeter's subtle variations and timbral ecstasies with magnificent orchestral flourishes. The surreal patina of three flutes and harp, high muted trumpets and woodwinds, and subterranean trombones, French horns and tuba that define one of the main variations on the theme, is a majestic foil for Davis' expressive tones.
  • Gil Evans liked to say that after Louis Armstrong, no one had affected the sound of the trumpet like Miles Davis. Miles fashioned a vibrato-less, introspective brass cry, made all the more lovely by his lush use of the middle and lower registers. Davis' manipulation of pitch on "Saeta" and "Solea" is so idiomatic, so vocalized, so full of revel and lament, it pierces your heart with heroic resignation and longing. SKETCHES OF SPAIN stands alone as one of the pillars of modern music.
Professional Reviews
Q (1/00, p.134) - 5 stars out of 5 - "...fierce Spanish folk melodies...took orchestral jazz in a new direction....features Davis' trumpet in all its drifting, dry, abstract beauty."

Down Beat (p.61) - 5 stars out of 5 -- "With SKETCHES OF SPAIN, Davis' music continued its modal moves away from bebop's busy density, opting to highlight his strengths, which emphasized feeling and lyric expression over technique."

Down Beat (1960) - 5 Stars - Excellent - "...One of the most important musical triumphs that this century has yet produced....If there is to be a new jazz, a SHAPE OF THINGS TO COME, then this is the beginning..."

Goldmine - 3.5 Stars - "...Brilliantly remixed..."

Record Collector (magazine) (p.98) - 5 stars out of 5 -- "Almost panoramic in scope and fusing jazz with classical music, the album kicked off with an epic 16-minute version of Spanish composer Rodrigo's guitar concerto, transcribed for trumpet and orchestra."
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