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Slave to the Game
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Album: Slave to the Game
# Song Title   Time
1)    Insert Coin More Info...
2)    Protoman More Info... 0:03
3)    She Gave Her Heart to Deadpool More Info... 0:02
4)    I Am Onslaught More Info... 0:03
5)    Bison Diaries More Info... 0:02
6)    Poltergeist More Info... 0:01
7)    Cross Over Attack More Info... 0:03
8)    Umar Dumps Dormammu More Info... 0:02
9)    Blackheart Reigns More Info... 0:03
10)    MDMA More Info... 0:03
11)    War Begins With You More Info... 0:03
12)    A.I. More Info... 0:03
 
Album: Slave to the Game
# Song Title   Time
1)    Insert Coin More Info...
2)    Protoman More Info... 0:03
3)    She Gave Her Heart to Deadpool More Info... 0:02
4)    I Am Onslaught More Info... 0:03
5)    Bison Diaries More Info... 0:02
6)    Poltergeist More Info... 0:01
7)    Cross Over Attack More Info... 0:03
8)    Umar Dumps Dormammu More Info... 0:02
9)    Blackheart Reigns More Info... 0:03
10)    MDMA More Info... 0:03
11)    War Begins With You More Info... 0:03
12)    A.I. More Info... 0:03
 
Product Description
Product Details
Performer Notes
  • Personnel: Frank Palmeri (vocals); Mike Mulholland, Jesse Ketive (guitar); Mark Castillo (drums).
  • Audio Mixer: Joey Sturgis.
  • Recording information: The Foundation Recording Studio.
  • Editor: Jeff Dunne.
  • Photographers: Eric Richter; Double J; Robert Scheuerman; Dustin Smith .
  • Prolific East Coast metalcore purveyors Emmure follow up on 2011's Speaker of the Dead with their fifth full-length, Slave to the Game. Joey Sturgis (The Devil Wears Prada, Attack Attack!) reprises his role as producer but slight changes arrive on the band front as Mark Castillo (Crossfade) joins the band as drummer. Despite the lineup change, the core of Emmure is consistent, delivering 12 mosh-ready tracks of bruising breakdowns and snarling vocals. Leadoff single "Protoman" mixes up the guitar chug with some dissonant chords, while "I Am Onslaught" showcases a more sludgy, Deftones-esque approach. Slave to the Game also finds Emmure exploring their more experimental side, as "Umar Dumps Dormammu" slows down the tempo and employs electronics and samples to drive the melody.
Professional Reviews
Alternative Press (p.72) - "[The songs] reveal atmospheric, almost shoegazing guitar buried beneath avalanches of low-end worship....The most impressive album to date from the most underrated band in deathcore."
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