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The Sound of You and Me
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Album: The Sound of You and Me
# Song Title   Time
1)    Pendulum
2)    Let Me In
3)    Sing It Like a Victim
4)    Pretending
5)    Big Enough
6)    Beautiful in Los Angeles
7)    Kansas City, Kansas
8)    Black and White
9)    Cigarettes and Spearmint
10)    No Man's Land
11)    We Were Just Boys and Girls
 

Album: The Sound of You and Me
# Song Title   Time
1)    Pendulum
2)    Let Me In
3)    Sing It Like a Victim
4)    Pretending
5)    Big Enough
6)    Beautiful in Los Angeles
7)    Kansas City, Kansas
8)    Black and White
9)    Cigarettes and Spearmint
10)    No Man's Land
11)    We Were Just Boys and Girls
 
Product Description
Product Details
Performer Notes
  • Personnel: Garrison Starr (vocals, acoustic guitar, electric guitar, Wurlitzer organ, drums, percussion); Kate York (vocals, whistling); Brad Jones (vocals, acoustic guitar, electric guitar, mandolin); Neilson Hubbard (vocals, electric guitar, nylon-string guitar, piano, Wurlitzer organ, percussion); Pat Sansone (vocals, electric guitar, piano, organ, Moog synthesizer, vibraphone, glockenspiel, percussion); Matthew Ryan, Mindy Smith (vocals); Pat Buchanan (acoustic guitar, electric guitar, mandolin); Michael Grimes (electric guitar); Chris Carmichael (violin, viola, strings); Betsy Lamb (viola); David Henry (cello); Ross Rice (organ, keyboards, drums, timpani); Ken Coomer, Andy Hubbard, Lindsay Jamieson (drums); Mickey Grimm (percussion).
  • Audio Mixers: Andy Hunt; Neilson Hubbard; Brad Jones .
  • Recording information: Alex The Great, Berry Hill, Nashville, TN; Mr. Lemons, Nashville, TN.
  • Photographer: Jeremy Cowart.
  • Arrangers: Garrison Starr; Neilson Hubbard; Brad Jones .
  • Garrison Starr remained on a steady, unspectacular singer/songwriter path with her fifth album, recorded after her relocation from Los Angeles to Nashville. Teetering relationships are often the subject, with the opening cut even bearing the title "Pendulum." The melodies, singing, and arrangements are rather standard issue for this sort of thing, though some variations from the usual format let listeners know it's not being phoned in. Beyond its unusual title, "Sing It Like a Victim" has a rollicking rhythm and, for the first time on a Starr record, piano-dominated accompaniment. "Big Enough" has dramatic strings that are, at least in terms of Starr's usual fare, a stylistic departure. But while the emotional sincerity of the record can't be questioned, and it establishes an atmosphere of lingering introspection and striving for fulfillment, there's nothing to suggest a rise from mid-pack status. ~ Jimmy James
Professional Reviews
No Depression (p.134) - "[I]t's more than pleasant. The album's eleven songs glide by in a tasteful folk-rock blur of sonic comfort food....Starr's voice and lyrics suggest an appealing character."
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