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Stereotomy [Bonus Tracks]
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Album: Stereotomy [Bonus Tracks]
# Song Title   Time
1)    Stereotomy
2)    Beaujolais
3)    Urbania
4)    Limelight
5)    In The Real World
6)    Where's The Walrus?
7)    Light Of The World
8)    Chinese Whispers
9)    Stereotomy Two
10)    Light Of The World
11)    Rumour Goin' Round
12)    Stereotomy (Guide Vocal)
13)    Stereotomy (Reprise) - (Backing Rough Mix)
 

Album: Stereotomy [Bonus Tracks]
# Song Title   Time
1)    Stereotomy
2)    Beaujolais
3)    Urbania
4)    Limelight
5)    In The Real World
6)    Where's The Walrus?
7)    Light Of The World
8)    Chinese Whispers
9)    Stereotomy Two
10)    Light Of The World
11)    Rumour Goin' Round
12)    Stereotomy (Guide Vocal)
13)    Stereotomy (Reprise) - (Backing Rough Mix)
 
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Performer Notes
  • The Alan Parsons Project: Alan Parsons (keyboards); Eric Woolfson (vocals, piano, keyboards); John Miles, Chris Rainbow, Gary Brooker, Graham Dye and Steve Dye (vocals); Ian Bairnson (guitar); Richard Cottle (saxophone, synthesizer); Alan Parsons (keyboards); David Paton (bass); Stuart Elliot (drums, percussion).
  • Recorded at Mayfair Studios, Abbey Road, London, England.
  • Personnel: Eric Woolfson (vocals, piano, Fender Rhodes piano, keyboards); Graham Dye, Chris Rainbow (vocals, background vocals); Gary Brooker, John Miles (vocals); Ian Bairnson (guitar, guitar synthesizer); Richard Cottle (saxophone, keyboards, synthesizer, sequencer); Stuart Elliott (drums, percussion); Steve Dye (background vocals).
  • Liner Note Authors: Eric Woolfson; Jerry Ewing.
  • Recording information: EMI Abbey Road Studios, London, England (10/1984-08/1985); Mayfair Studios, London, England (10/1984-08/1985).
  • According to the Random House Dictionary, "stereotomy" is the technique of cutting solids, as stones, to specified forms and dimensions. On their album Stereotomy, The Alan Parsons Project paints a portrait of a man who has been cut into a specific shape according to the demands of society, as he thirsts after the "Limelight" but is consigned to "Urbania" and relies on "Beaujolais" to ease the pain. Most of the album is devoted to long, sweeping instrumental passages which makes the album one of the group's most ambitious records, but not one of their most accessible. ~ Daevid Jehnzen
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