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T-R-O-U-B-L-E
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Performer Notes
Personnel includes: Travis Tritt (vocals); Billy Joe Walker, Jr. (acoustic, electric & slide guitars); Larry Byrom (acoustic & electric slide guitars); Gray Rossington, Wendell Cox, Reggie Young, Jack Holder (electric guitar); Terry Crisp (steel guitar, dobro); David Davidson, Connie Heard (violin); Kristin Wilkinson (viola); John Chtchings (cello); Stuart Duncan (fiddle); Jimmy Joe Ruggiere (harmonica); Billy Livsey (piano, organ, harmonium); Hargus "Pig" Robbins (piano); Mike Brignardello (bass); Steve Turner (drums); Sam Bacco (percussion).
Recorded at The Castle, Franklin, Tennessee and The Sound Shop and OmniSound, Nashville, Tennessee.
Personnel: Travis Tritt (vocals, guitar); Billy Joe Walker (guitar, acoustic guitar, electric guitar); Richard Bennett (acoustic guitar, slide guitar); Gary Rossington, Wendell Cox, Jack Holder, John Jorgenson, Reggie Young (electric guitar); Larry Byrom (slide guitar); Terry Crisp (steel guitar); Connie Heard, David Davidson (violin); Stuart Duncan (fiddle); Kristin Wilkson, Kristin Wilkinson (viola); John Catchings (cello); Jimmy Joe Ruggiere (harmonica); Billy Livsey (piano, harmonium, organ); Bobby Ogdin (piano, organ); Matt Rollings, Hargus "Pig" Robbins (piano); Mike Brignardello (bass guitar); Steve Turner (drums); Sam Bacco (cymbals, tambourine, timpani, percussion, crotales); Curtis Young, Dana McVicker, Dennis Locorriere, George Jones, John Cowan, Porter Wagoner, T. Graham Brown, Tanya Tucker, Dennis Wilson , Brooks & Dunn (background vocals).
Audio Mixers: John Hampton; Rob Feaster.
Recording information: SoundShop, Nashville, TN.
Unknown Contributor Role: Larry Byrom.
Arranger: Edgar Meyer.
In the early 1990s, Travis Tritt helped save Nashville from banal hat acts and empty-headed stadium stompers. He did it by carrying the rough-hewn lessons learned from Waylon, Willie, Merle, et al into a new era. His third album, T-R-O-U-B-L-E completes a trio of releases that changed the course of country with their mix of radio-friendly ballads (see the country No. 1 "Can I Trust You With My Heart") and raucous honky-tonk hellraisers (the title track is a classic Tritt anthem). Despite the long stream of hit singles and albums that Tritt enjoyed subsequent to T-R-O-U-B-L-E, neither he nor his peers ever quite matched the album's undeniable impact.
Professional Reviews
Entertainment Weekly (9/4/92, p.68) - "..Tritt once again mines the working man's dual sense of pride and inferiority.." - Rating: B-