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Vienna [Digipak]
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Album: Vienna [Digipak]
# Song Title   Time
1)    Astradyne
2)    New Europeans
3)    Private Lives
4)    Passing Strangers
5)    Sleepwalk
6)    Mr X
7)    Western Promise
8)    Vienna
9)    All Stood Still
1)    Sleepwalk
2)    Waiting
3)    Face to Face - (live)
4)    King's Lead Hat - (live)
5)    Passionate Reply
6)    Herr X
7)    All Stood Still
8)    Alles Klar
9)    Keep Talking
10)    Sleepwalk - (live)
11)    All Stood Still - (live)
 

Album: Vienna [Digipak]
# Song Title   Time
1)    Astradyne
2)    New Europeans
3)    Private Lives
4)    Passing Strangers
5)    Sleepwalk
6)    Mr X
7)    Western Promise
8)    Vienna
9)    All Stood Still
1)    Sleepwalk
2)    Waiting
3)    Face to Face - (live)
4)    King's Lead Hat - (live)
5)    Passionate Reply
6)    Herr X
7)    All Stood Still
8)    Alles Klar
9)    Keep Talking
10)    Sleepwalk - (live)
11)    All Stood Still - (live)
 
Product Description
Product Details
Performer Notes
  • This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files. The 2001 edition of VIENNA also includes 4 bonus tracks.
  • Ultravox: Midge Ure (vocals, guitar, synthesizer); Chris Cross (vocals, synthesizer, bass); Warren Cann (vocals, synthesizer, drums); Billy Currie (violin, piano, synthesizer).
  • Personnel: Midge Ure (vocals, guitar, synthesizer); Chris Cross (vocals, synthesizer); Warren Cann (vocals, drums, electronic percussion); Billy Currie (violin, viola, piano, synthesizer).
  • Audio Remasterer: Steve Rooke.
  • Recording information: RAK, London.
  • Photographer: Brian Griffin .
  • VIENNA is one of those rare albums that defines an era. In their first
  • incarnation, with singer John Foxx, Ultravox merged post-punk and
  • art-rock in a prescient, highly influential manner. After Foxx's
  • departure, the band's future seemed in question. Against all odds, they
  • gained a new lease on life with former Rich Kids singer/guitarist/songwriter Midge Ure, who led them towards a more
  • stylized, elegant sound full of both accessible melodicism and grand,
  • sophisticated electronic textures. Consequently, VIENNA did much to
  • jumpstart both the synth-pop scene and the New Romantic movement of the early 1980s.Even the band's Bowie-influenced, modernist image on the front cover spawned a thousand imitators. Image aside, though, such durable singles as "Sleepwalk" and the title track show the band at its peak, turning out a uniquely European brand of futuristic pop-rock
  • bearing both shiny surfaces and deeper satisfactions.
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