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Wash Away
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Album: Wash Away
# Song Title   Time
1)    Expectation
2)    Call Upon Your Name (Sing of Your Love)
3)    Brand New Day - (featuring Paul Baloche)
4)    Fill Me Up
5)    Wash Away
6)    Before the Throne of God Above
7)    I Will Bless the Lord at All Times
8)    Faithful Love of Jesus, The
9)    Lord of All
10)    Thousand Generations, A
11)    Doxology
12)    Joseph
 

Album: Wash Away
# Song Title   Time
1)    Expectation
2)    Call Upon Your Name (Sing of Your Love)
3)    Brand New Day - (featuring Paul Baloche)
4)    Fill Me Up
5)    Wash Away
6)    Before the Throne of God Above
7)    I Will Bless the Lord at All Times
8)    Faithful Love of Jesus, The
9)    Lord of All
10)    Thousand Generations, A
11)    Doxology
12)    Joseph
 
Product Description
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Performer Notes
  • Personnel: Don Poythress (vocals, acoustic guitar); Ricky Skaggs (vocals, mandolin); Paul Baloche (vocals); James Pennebaker (guitar, mandolin, fiddle); Jerry McPherson (acoustic guitar, electric guitar); Michael "Clip" Payne (electric guitar); Tony Paoletta (steel guitar, dobro); Sal Oliveri, Blair Masters (keyboards); Ben Phillips (drums); Jaimee Paul, Drew Cline, Mike Pyle, Rachel Robinson (background vocals).
  • Audio Mixers: Joel Cameron; Paul Mills.
  • Recording information: RTC Studio, Franklin, TN; Wallace Chapel, Christ Church, Nashville, TN.
  • Photographer: Sam Noerr.
  • One quick glance at the Don Poythress lyric sheet is more than enough to clue one in as to what his debut in Christian music, WASH AWAY, sounds like. Much like his clientele over the years--which has included the likes of Tim McGraw, Darryl Worley, Travis Tritt, Jaci Velasquez, the Martins, and Brian Littrell, among many others--WASH AWAY is a praise-filled homage to God and country, but in a context that is more congregational- than performance-oriented. Recorded live at Nashville's Christ Church, the disc is essentially a big contemporary worship event, with Poythress serving as both song leader and master of ceremonies. Mindful that he is not the center of attention, Poythress is careful to keep the songs lithe and accessible, allowing for as much interaction with congregants as possible. Since he is merely a nexus between the audience and God, he tries to not distract by avoiding the trap of veering too closely to either side of the country-CCM divide. Instead he strikes a happy medium, a middle-of-the-road approach that's neither too much this nor too much that. Some may consider that a compromise, but for Poythress, who's made a career out of serving the right kinds of songs, the concession is just his way of doing business as usual, and with a different type of client in mind.
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